Virginia moca galleries9/14/2023 ![]() ![]() ![]() The work of “Nourish” falls into three themes: “food literacy,” knowing where food comes, “food justice,” the idea that everyone has a right to healthy food, and “food as a connector,” the inherent power of food to bring people together and conjure up memories. “This is artists telling the story of food in our community.” “This is some of the most important work that I’ve ever been a part of,” Byrne said of the project. Virginia MOCA also held an open call for art from the public centered on the idea of food and memory and it received more than 100 pieces which are displayed in their own gallery. The site of a prominent civil rights sit-in demonstration in December of 1963, in which demonstrators were taken to Segregated lunch counters became a target of civil rights protests in the 1960s. Toddle House lunchĬounters, however, did not allow Black patrons. This is an image of a young Black woman at a lunchĬounter called Harlem House, which was a parallel chain to one called Toddle House. Lunch counters have a long history in American culture and often create a sense of community by encouraging people to sit and eat side by side. A large part of MOCA’s mission.Helen Ann Smith at Harlem House, Beale St., Memphis, Tennessee, 1959, by photographer Ernest T. “Viewers from all backgrounds can relate to his themes, fostering self-awareness as well as appreciation for contemporary art. “MOCA is delighted to introduce Barford to new audiences in the United States,” says MOCA’s Alison Byrne, who has been following Barford’s work for several years. Porcelain, enamel paint, painted wooden base, other media. ![]() In tradition with the museum’s interactive focus, MOCA’s ARTlab will offer visitors the chance to learn more about Barford’s work through hands-on projects, including 30 figurines in various stages of completion from the artist’s studio to create a voyeuristic approach to his process.īarnaby Barford. His style is highly distinctive and provides a critical commentary of western contemporary culture.”Īccompanying the exhibition will be a full-color catalogue and extensive educational programming, including audio tours, a Master Class and lecture with the artist and tours with area high schools and universities during Barford’s week long residency in November. The exhibition is organized by MOCA and curated by Alison Byrne, Director of Exhibitions and Education at MOCA, and Andrée Cooke, Independent Curator based in London.Īndrée Cooke says: "Barnaby Barford's use of ceramics fuses contemporary application with tradition his witty use of language and content is a dynamic rare blend which sets him apart from his contemporaries. A kitsch figure of a 19th century peasant boy becomes a 20th century teenage thug in a hoodie rustic maidens dancing on a bed of roses brandish guns a charming scene of a Victorian family shares a meal of copious buckets of Kentucky Fried Chicken.īarnaby Barford, Come on you lightweight - Down it!, 2007.īone china, porcelain, other media. He’s a total original, which is why I knew I wanted to work with him.” said UK gallerist, David Gill.īarnaby draws a portrait of our contemporary lives with an ironic choice of medium. “Barnaby is not just a sculptor, not just an artist. Porcelain, earthenware, enamel paint, painted wooden base, other media. Included in the exhibition is a more recent piece from the artist’s latest acclaimed show, Seven Deadly Sins at David Gill Galleries Ltd (London), and a 2008 short animated film Damaged Goods a tragic love story played out by porcelain figurines commissioned by Animate Projects, a non-profit organization in the UK dedicated to supporting experiments in animation This will be Barford’s first solo exhibition in the US and will feature 30 sculptural works which explore and celebrate the human condition, usually with a sinister or sardonic theme. (VIRGINIA BEACH, VA) June 26, 2013 - The Virginia Museum of Contemporary Art (MOCA) will host UK artist Barnaby Barford, September 12 - December 29, 2013, known for his work with antique or mass-produced porcelain figures, which he recombines and reassembles into narrative sculpture. ![]()
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